In my works on paper I deal with circles, lines and axes as well as their movements and directions. There are two work phases: the straight or circular application of dense pigments on paper followed by the moving and extracting of the color from the applied pigment. This process generates a material negative still containing the visibly paled original motif. Both phases work together to create a transparent layering with its own independent content. Depending on the direction of the axes, aspects sometimes dynamic, sometimes static come into play.